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山西大同导游词(精选15篇)

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山西大同导游词 篇1

各位游客朋友们:

山西大同导游词(精选15篇)

大家好!欢迎大家来到位于塞外古都、煤海之乡的大同观光旅游。我是大家的导游员杨丽,今天我们将参观举世闻名的佛教艺术宝库———云冈石窟。它与甘肃敦煌的莫高窟,河南洛阳的龙门石窟并称为中国三大石窟。

云冈石窟开凿于距今1500多年的北魏王朝,现存主要洞窟45个,佛教造像51000多尊,根据武周山势的自然起伏,云冈石窟又自然的分成东区、中区和西区三部分。其中第1——4窟为东区,5——13窟为中区,14——45窟为西区。下面我们就先从中区的第5区开始参观吧。

第5、6窟是一组双窟,是云冈石窟中最精彩壮观、最具代表性的石窟。第5窟为椭圆形的穹窿顶马蹄形,分前、后两室,进入高大的后室,首先引入眼帘的是这尊两腿双盘、双手叠放腿上的大佛。这种“吉祥式”坐姿的全结跏趺坐禅定印象,表示着释迦摩尼佛已进入标准的“静思维”修行状态,是佛的坐、立、行、卧“四威仪”,即四个庄严地身姿之一。大佛高17米,是云冈石窟第一大佛。专家们认为这尊大佛是北魏孝文帝为他的父亲献文帝凿造的佛陀象征。那么上述历史在此窟是否有所体现呢?请各位细看,大佛头顶为蓝色螺髻,面庞方圆,细眼长眉,鼻梁高直,唇含笑意,两耳垂肩,在端庄、慈祥的神情中透露出神圣、超凡和自信的风貌。尤其是这尊佛像身穿双领下垂,内衣束结,宽大柔软而下垂的袈裟,衣纹流畅,给人一种丝的质感。大佛的右侧是未来世弥勒佛,左侧为过去式燃灯佛。大佛的后面有一个很宽敞的甬道,那是供佛教信徒们礼佛绕行的诵经道。

第6窟是云冈石窟中以精巧著称的一窟,称“第一伟窟”。窟平面呈回字形,窟正中凿一方形塔柱。在巨大的中心塔柱和整个洞窟的四壁上,雕满了佛像、菩萨、罗汉、飞天、供养人、瑞鸟、神兽、花卉,形成了一种热闹拥挤,美妙神奇的佛国氛围,主题以歌颂佛母和表现释迦摩尼一生的成佛弘教经历为主,因而也叫“佛母洞”。请大家随我的手势来观赏面前这幅关于“右腋诞生”的画面:古印度有一个小国叫“迦毗罗卫国”,国王叫“净饭王”,王后叫“摩耶”,他们到了40岁的时候还没有孩子,非常焦急。有一天,摩耶夫人梦见一位菩萨乘白象而来,后来怀了身孕。按当地习俗,妇女应回娘家分娩。摩耶夫人在快临产时,在妹妹和仆人的陪侍下回家。半路上,他们到蓝毗尼花园休息,刚到一颗菩提树下,夫人预感快要生产了。于是,一手抓住树枝,一手在妹妹的搀扶下,从右腋生出了孩子,这就是“乔达摩悉达多”,成佛后被尊为释迦族圣人的“释迦摩尼”。

下面我们要参观的是被誉为云冈石窟外交官和代表作的第20窟———露天大佛。这尊高达13。7米的结跏趺坐佛像,面容丰满端庄,双肩宽厚平直,身披右袒袈裟,呈大日如来吉祥坐禅定印象,是释迦摩尼对宇宙、社会和人生的一种沉静思考状态。这尊大佛便是北魏文成帝拓拔睿的象征。他恢复佛法,开凿云冈石窟,大佛的嘴角微笑神态,表现出佛教徒对他的敬意。距离产生美,角度显神韵。在这尊露天大佛面前,以不同的距离和角度观赏,都会产生各种变化着的美及其神韵。

现在给大家20分钟时间在露天大佛前拍照留念,愿大佛炯炯有神的双眸,略带微笑的嘴角,给大家留下深刻的回忆,带来美好的福音。好,20分钟后我们在这里集合,谢谢大家合作!

山西大同导游词 篇2

今天,我们来到了山西大同。听说,大同的刀削面特别出名,像飞刀一样快。啊!我真是迫不及待的想去试试看看了。来到餐厅,居然还有表演和体验的。只见在台子前,一个师傅熟练地从旁边的盆子里抓上了一把干面粉,均匀地撒在木台子上。接着,他拿起了一个上面有面粉的木板,用一个不锈钢的小剃刀,飞快地削着,削下来的面条子就是所谓的刀削面了。那刀削面真的像山西八大怪中说的一样,刀削面真的像飞刀一样快。不仅快,而且下降的速度很有节奏感,都是先往上,然后往里过,慢慢的下降,最后一下子飞到了台子边缘。我自己的看着,看得目瞪口呆。那些刀削面不仅速度一样,而且是一样薄呢。

“啪”的一声,我感觉有什么东西掉到了我头上,一摸,啊!原来是刀削面。“小朋友,请不要把头伸进去。”我心里还纳闷呢。我忽然想起了头上的刀削面,一看。原来是我的头伸到台子上了!过了一会儿,当面团只剩下一半的时候,师傅停下了。我心里一愣,不知道他想干什么。接着,其他人就开始排队了。我恍然间明白了,从队伍中间插了进去,然后被挤了出来,又回到了队伍末尾。我吐吐舌头,等待着。等到我的时候,我先很酷地挽起了我的短袖的袖子,深呼吸了一下,然后拿起了剃刀和木板,准备向大家露一手。但是,事情比我想象的难多了。

我先前是拿着剃刀不知道怎么剃,然后挠了挠脑袋,想起了刀削面是像削水果一样削的,但我忘记了是往上削还是往下削。于是我想:刀削面是从上到下降落的,那应该就是往上削吧!于是我开始往上削。第一次刀削面降落在了我面前,我挺得意;第二次刀削面掉下去了;第三次我可倒霉了,刀削面不知道飞哪去了。这时,表姐笑了起来,我有点迷惑,有一种不祥的预感。我一般想问题都要摸摸头,我一摸……啊!我叫了起来,原来又是掉在我头上了。刚刚没擦,刀削面在我的头上堆了起来。我用纸巾把刀削面擦掉,然后试着往下削。这回我成功了,十分开心。啊!做刀削面真好玩!

山西大同导游词 篇3

春天,那里万物复苏,泉水丁冬,小花在温暖的阳光下照耀着,为人们展示出了自己美丽的面貌,她就像害羞的小姑娘掩面而笑.她那诱人的魅力,让你感觉到像是沉浮在花海中.小草也微微探出头来,风姑娘轻轻的抚摸着她那幼小的身躯,在风姑娘的帮助下她把身子倾斜过来,好像要告诉人们她现在非常舒服.柳树也抽出了点点翠绿的嫩芽,从远处看,好象是绿色的雾弥漫了整个“世界”.柳树甩着长长的辫子,迎风起舞.它们有节奏的来回摇摆,好象在欢迎我们的到来.

夏天,到了晚上,抬头仰望天空,天空就像平静的海面湛蓝,静谧.星星像一颗颗宝石闪烁着光芒,又像顽皮的小孩眨着眼睛.天空是多么的美丽啊!大同的晚上是最美丽的时候,傍晚坐在院子里,柔和的微风从你耳边吹过,你的头发时而立,时而倒;时而前,时而后;有节奏的“跳动”着.这里虽然是夏天,但你丝毫感觉不到炎热.

秋天,正是丰收的好季节.大地产下了它丰硕的果实:沉甸甸的稻子,金黄色的麦穗,又大又红的地瓜,红彤彤的苹果等等.各种五颜六色的菊花,月季,桂花等在浓露之下闪耀着,一点儿没有褪色.

这里的冬天更是美丽,早晨推开门出去时,刺骨的寒风呼呼的吹着,不时的向我袭来.并且,偶尔会有顽皮的小雪花纷纷扬扬的落下来,就像跳舞一样.六角形的雪花各式各样:有的像银针,有的像落叶,还有的像碎纸片……煞是好看.这美丽的雪景使人们沉浸在清新的空气里.到处银装素裹,美不胜收.冬姑娘真是心灵手巧啊!付出一年辛勤劳动的人们,更是感受到丰收的喜悦.

这就是我的家乡——大同,美丽有可爱,我爱我的家乡!

山西大同导游词 篇4

各位游客大家好,今天我们将要参观的是大同云冈石窟。下面我给大家简单介绍一下云冈石窟。

大同云冈石窟是世界文化遗产、全国重点文物保护单位、东方石雕艺术宝库,是国内外学术界公认的与甘肃敦煌石窟的莫高窟、河南洛阳的龙门石窟齐名的中国"三大石窟"之一,是中华民族宝贵的文化遗产。据史书记载,云冈石窟开凿于公元460年前的

北魏王朝,共有洞窟45个,现存佛教造像51000余尊,佛龛1200多个。依据武周山势自然起伏,云冈石窟又分为东、中、西三部分,今天我们着重参观第5、6窟和被誉为云冈石窟的外交官和代表作的第20窟。下面我们从第5、6、窟开始参观。

云冈石窟的第5、6窟是毗连一体的一组双窟。是云冈石窟最精彩、最为壮观、最具代表性的石窟。第5 窟的洞窟开头为椭圆形的草庐式,分前后两室。进入后室,首先感觉这一洞窟十分高大,中央这尊两腿双盘的大像高达17米,为云冈石窟的第一大佛。大佛着褒衣博带,通肩袈裟,头顶为蓝色螺鬓,佛像面部轮廓清晰,白毫点朱,细眉长目,鼻准方直,双肩垂耳,给人以一种端庄、肃穆、慈祥之感。由于后世为了积功德造福,对这尊佛像敷了厚厚的泥装,再塑了金身,可惜的是,我们看不到原始的北魏石雕的形态了。第5 窟的佛像布局为三世佛,中央的坐佛为释迦牟尼佛,佛像的右边这尊立佛是未来佛,由于这尊佛身上泥装的脱落,我们得以目睹原始的北魏石雕艺术的风采。第5 窟值得让大家欣赏的还有,在窟室南壁 门拱上方两层高约1米的8尊石雕佛教造像和拱门东侧雕有菩提树和树干下二佛对坐的石雕佛像,雕刻十分精美。 下面我们参观第6窟。

第6窟被为云冈石窟的"第一伟窟"。窟平面呈正方形,后室呈回字形,窟正中凿一方形塔柱,塔柱稿约15米,它分为上下两层。整个洞窟雕饰富丽堂皇,洞窟的四壁雕满了佛像、菩萨、罗汉、飞天、供养人和瑞鸟、神兽、花卉等,这是一座热闹拥挤、琳琅满目、美妙神奇的佛国世界。由于雕刻技艺极为精湛,雕刻内容十分丰富。第6窟被誉为云冈石窟的"第一伟窟"。你看那四塔柱上层的接引佛。整个四壁加上塔柱一共15尊,和下层大龛的5尊佛像,都采用近似圆雕的高浮雕刻法来增加佛像的立体感。在中心塔柱上层4个角和4 个9层塔柱和上层中心的四方立佛,更是采取了具有镂空雕刻法。在中心塔柱的塔腰和四壁上,独具匠心的仙人们利用有限的壁画,用浅浮和高浮雕相结合的手法,以块浮雕的形式连接排列,形象而生动的雕刻了33幅释迦佛陀本生的故事图,吧释迦牟尼佛的生平事例展现在世人面前。

接下来我们来到第20窟,第20窟就是被誉为云冈石窟的外交官和代表作的露天大佛,经历了1000多年的洞窟坍塌之后,这尊高达13.7米的大佛就端坐在光明之中了。大佛雕刻于1542年前,她的圆润的发髻,宽阔的额头,细纤的长眉,方直的鼻梁,垂直的双耳,雕刻的极其自然,那充满了无穷智慧的双眼是那样的安详和宁静。这尊佛像在端庄之中含着俊秀,在慈祥之中藏着庄严,在智慧之中有露着敦厚。堪称妙相之佛,传神之佛。作为云冈石窟5万余尊佛像的代表,她不辞劳苦,年复一年的用佛祖那博大的仁爱抚慰着芸芸众生。

好了,主要洞窟的已经向大家介绍完了,下面请大家自行游览,静静的体会佛国世界的静谧和伟大吧。

山西大同导游词 篇5

大家好!

大同,山西省省辖市,是中国首批24个国家历史文化名城之一、中国首批13个较大的市之一、中国九大古都之一、国家新能源示范城市、中国优秀旅游城市、国家园林城市、全国双拥模范城市、全国性交通枢纽城市、中国雕塑之都、中国十佳运动休闲城市。

大同是山西省省域副中心城市,山西省第二大城市,位于山西省北部大同盆地的中心、晋冀蒙三省区交界处、黄土高原东北边缘,实为全晋之屏障、北方之门户,且扼晋、冀、内蒙之咽喉要道,是历代兵家必争之地,有“北方锁钥”之称。

大同古称云中、平城,曾是北魏首都,辽、金陪都,境内古迹众多,著名的文物古迹包括云冈石窟、华严寺、善化寺、恒山悬空寺、九龙壁等。

大同是中国最大的煤炭能源基地之一,国家重化工能源基地,神府、准格尔新兴能源区与京津唐发达工业区的中点。素有“凤凰城”和“中国煤都”之称。

大同这座有着独特自然地理条件的城市,历经多年的投资与建设,城市绿化与园林覆盖取得明显效果。20xx年1月14日,大同市被国家住建部正式命名为“国家园林城市”。

山西大同导游词 篇6

Today, we come to Datong, Shanxi Province. It's said that Datong's noodlesare very famous. They are as fast as flying knives. Ah! I can't wait to have atry. When I come to the restaurant, I have performances and experiences. I sawin front of the table, a master skillfully grabbed a handful of dry flour fromthe nearby basin and spread it evenly on the wooden table. Then, he picked up aboard with flour on it, and used a small stainless steel razor to cut itquickly. The strips of noodles he cut off are called "sliced noodles". Thesliced noodles are really like the eight monsters in Shanxi. They are really asfast as flying knives. It's not only fast, but also the descending speed has asense of rhythm. They all go up first, then go in, slowly descend, and finallyfly to the edge of the platform. I looked at it myself and was stunned. Thosenoodles are not only the same speed, but also the same thickness.

"Pa" sound, I feel something fell on my head, a touch, ah! It's noodles."Children, please don't put your head in it." I'm still wondering. I suddenlythink of the head of the noodles, a look. So my head is on the table! After awhile, when the dough is only half, the master stops. I was in a daze. I didn'tknow what he wanted to do. Then, the others began to line up. I suddenlyunderstand, from the middle of the team into, and then squeezed out, and back tothe end of the team. I stick my tongue out and wait. When I arrived, I coollyrolled up my short sleeve sleeve, took a deep breath, and then picked up therazor and the board, ready to show you. But it's much harder than I thought.

I didn't know how to shave with a razor. Then I scratched my head andremembered that the noodles were cut like fruit, but I forgot whether to cut upor down. So I thought: sliced noodles fall from top to bottom, that should beupward slicing! So I began to upward slicing. The first time the noodles fell infront of me, I was very proud; the second time the noodles fell; the third timeI was unlucky, the noodles didn't know where to fly. At this time, my cousinbegan to laugh. I was a little confused and had an ominous premonition. Iusually feel my head when I think about a problem. I feel it Ah! I cried. Itfell on my head again. I just didn't wipe it. The noodles piled up on my head. Iwipe the face off with a tissue and try to cut it down. I made it this time. I'mvery happy. Ah! How fun it is to make noodles!

山西大同导游词 篇7

尊敬的女士们、先生们:

今天,我们将参观举世闻名的悬空寺。悬空寺位于中国第九大古都、中国历史名城、中国雕塑之都、煤海之乡的大同市东南约65公里处,从酒店出发需要大约1小时30分钟的时间。利用这段时间,我向大家简单地介绍一下悬空寺。

悬空寺,位于恒山脚下,在大同市浑源县城城南五公里处的金龙峡内西岩峭壁上。自古以来,这里一直被列为北岳恒山的第一奇观。新加坡电视连续剧《莲花争霸》曾在这里取景。

悬空寺,悬挂在北岳恒山金龙峡西侧翠屏峰的半崖峭壁间,始建于北魏太和15年(公元491年),始建初期,最高处的三教殿离地面90米,因历年河床淤积,现仅剩58米。1957年列为山西省重点文物保护单位,1982年,列入全国重点文物保护单位。整个寺院,上载危崖,下临深谷,背岩依龛,寺门向南,以西为正。全寺为木质框架式结构,依照力学原理,半插横梁为基,巧借岩石暗托,梁柱上下一体,廊栏左右紧联。仅152.5平米的面积建有大小房屋40间。悬空寺的总体布局以寺院、禅房、佛堂、三佛殿、太乙殿、关帝庙、鼓楼、钟楼、伽蓝殿、送子观音殿、地藏王菩萨殿、千手观间殿、释迦殿、雷音殿、三官殿、纯阳宫、栈道、三教殿、五佛殿等。

山西大同导游词 篇8

悬空寺,位于恒山脚下,在大同市浑源县城城南五公里处的金龙峡内西岩峭壁上。自古以来,这里一直被列为北岳恒山的第一奇观。

大家请抬头看,殿楼的分布都对称中有变化,分散中有联络,曲折回环,虚实相生,小巧玲珑,空间丰富,层次多变,小中见大,不觉为弹丸之地,布局紧凑,错落相依,其布局既不同于平川寺院的中轴突出,左右对称,也不同于山地宫观依山势逐步升高的格局,均依崖壁凹凸,审形度势,顺其自然,凌空而构,看上去,层叠错落,变化微妙,使形体的组合和空间对比达到了井然有序的艺术效果。远望悬空寺,像一付玲珑剔透的浮雕,镶嵌在万仞峭壁间,近看悬空寺,大有凌空欲飞之势。

悬空寺不仅外貌惊险,奇特、壮观,建筑构造也颇具特色,形式丰富多彩,屋檐有单檐、重檐、三层檐,结桅构有抬梁结构、平顶结构、斗拱结构,屋顶有正脊、垂脊、戗脊、贫脊。总体外观,巧构宏制,重重叠叠,造成一种窟中有楼,楼中有穴,半壁楼殿半壁窟,窟连殿,殿连楼的独特风格,它既融合了我国园林建筑艺术,又不失我国传统建筑的格局。

悬空寺内现存的各种铜铸、铁铸、泥塑,石刻造像中,不少风格,体例具有早时期的特点,是具有较高艺术价值的珍品。

现在大家有30分钟的自由浏览时间,请大家注意安全,准时回到这里集合。

山西大同导游词 篇9

hello everyone!

Datong, a city under the jurisdiction of Shanxi Province, is one of thefirst batch of 24 national historical and cultural cities in China, one of thefirst batch of 13 larger cities in China, one of the nine ancient capitals inChina, national new energy demonstration city, China's excellent tourism city,National Garden City, National double support model city, nationaltransportation hub city, China's sculpture City, and China's top ten sports andleisure city.

Datong is the vice central city of Shanxi Province and the second largestcity in Shanxi Province. It is located in the center of Datong Basin in thenorth of Shanxi Province, the junction of Shanxi, Hebei and Inner Mongolia, andthe northeast edge of the Loess Plateau. In fact, it is the barrier of the wholeShanxi Province, the gateway of the north, and the throat of Shanxi, Hebei andInner Mongolia. It is a place that must be contested by military strategists inthe past dynasties.

Datong, formerly known as Yunzhong and Pingcheng in ancient times, was thecapital of the Northern Wei Dynasty and the capital of Liao and Jin e are many historic sites in Datong, including Yungang Grottoes, HuayanTemple, Shanhua temple, Hengshan Xuankong Temple, Jiulongbi, etc.

Datong is one of the largest coal energy bases in China, the national heavychemical energy base, the midpoint of Shenfu, Zhungeer emerging energy zone andBeijing Tianjin Tangshan developed industrial zone. It is known as "PhoenixCity" and "coal capital of China".

Datong, a city with unique natural and geographical conditions, hasachieved remarkable results in urban greening and garden coverage after years ofinvestment and construction. On January 14, 20__, Datong City was officiallynamed "national garden city" by the Ministry of housing and urban ruraldevelopment.

山西大同导游词 篇10

At present, the place where we are is Xuankong Temple. The characteristicsof the whole Xuankong Temple can be summarized in three words, that is,"strange, dangerous and clever".

In Xuankong Temple, we will find that there are many statues in XuankongTemple, but three of them are the most precious. The reason why they are nobleis that their molding art is very unique, and they are made by the process ofyarn stripping. It is 50cm high and weighs only 3kg. It is the lightest and mostvaluable statue in the temple.

Then the second and third part of Xuankong Temple is the real wooden pillars outside give people the feeling that they support the wholetemple by more than a dozen wooden pillars. In fact, most of those woodenpillars are not load-bearing. We can see that the plank road connects each e are some beams under the plank road. These beams are inserted into therock. During the construction, the rock is chiseled out of the small belly largestone cave, and the tapered wooden wedge is placed inside, Make the crossbeaminto a scissor shape and smash it with a strong force. The greater the force onthe outside, the tighter the bite on the inside. They press the force on therock.

As we all know, Hengshan has always been a place for military strategists,so the rulers of each dynasty have their own religion to worship, and the threereligions hall is a collection of Buddhism, Taoism and Confucianism, which willbe protected in any dynasty. This is also a political reason why Xuankong Templewill not be destroyed for thousands of years.

Now let me show you around the hanging temple.

山西大同导游词 篇11

殿楼的分布都对称中有变化,分散中有联络,曲折回环,虚实相生,小巧玲珑,空间丰富,层次多变,小中见大,不觉为弹丸之地,布局紧凑,错落相依,其布局既不同于平川寺院的中轴突出,左右对称,也不同于山地宫观依山势逐步升高的格局,均依崖壁凹凸,审形度势,顺其自然,凌空而构,看上去,层叠错落,变化微妙,使形体的

组合和空间对比达到了井然有序的艺术效果。远望悬空寺,像一付玲珑剔透的浮雕,镶嵌在万仞峭壁间,近看悬空寺,大有凌空欲飞之势。登临悬空寺,攀悬梯,跨飞栈,穿石窟,钻天窗,走屋脊,步曲廊,几经周折,忽上忽下,左右回旋,仰视一线青天,俯首而视,峡水长流,叮咚成曲,如置身于九天宫阙,犹如腾云皈梦。

悬空寺不仅外貌惊险,奇特、壮观,建筑构造也颇具特色,形式丰富多彩,屋檐有单檐、重檐、三层檐,结桅构有抬梁结构、平顶结构、斗拱结构,屋顶有正脊、垂脊、戗脊、贫脊。总体外观,巧构宏制,重重叠叠,造成一种窟中有楼,楼中有穴,半壁楼殿半壁窟,窟连殿,殿连楼的独特风格,它既融合了我国园林建筑艺术,又不失我国传统建筑的格局。

悬空寺内现存的各种铜铸、铁铸、泥塑,石刻造像中,不少风格,体例具有早时期的特点,是具有较高艺术价值的珍品。

悬空寺是历代文人墨客向往之处,古代诗人形象的赞叹:飞阁丹崖上,白云几度封,蜃楼疑海上,鸟到没云中。公元735年,诗仙李白游览后,在岩壁上写下了壮观二个大字。明崇祯六年,徐霞客游历到此,称之为天下巨观。李铁映同志1989年来恒山视察时,挥毫写下了伟哉神工四个大字,当人们感概之余,不竞要问,建悬空寺的初衷是什么?为什么历经1500多年,能够保存完好?

悬空寺由于科学的选址,是建在崖壁凹回去的部分,且两边突出的山崖缓解了风势,东边天峰岭遮挡了太阳,年平均日照时间为2小时,风侵,雨蚀、日晒都对其损害不大。

山西大同悬空寺导游词3

公元398年,北魏建都平城(今大同市),北魏天师道长寇谦之(公元365-448)仙逝前留下遗训:要建一座空中寺院,以达上延霄客,下绝嚣浮。换句话来说,就是让人们上了这处寺院,感到与天上的神仙共语,而将人世间烦恼抛掉。从天师仙逝到始建的43年间,他的弟子们多方筹资,精心选址设计,乃至寺庙宗教内容的构思都超出了常人的智慧,将陶宏景(公元456-540)明确提出三教合流的思想,巧妙地体现在一处空中寺院内,并将三教殿建在寺院的最高处,使三位教主共居一殿,他们神态各异。殿内正中端坐佛主释迦牟尼,慈和安祥,左边是儒家始祖孔子,微笑谦恭,右边是道教主老子李耳,清高割达,在友好的气氛中进行对话,三教殿内的宗教内容,佛、道、儒的和平共处,体现了儒家思想和为贵、仁者爱仁、智者见智以及道家的无量度人,礼度为先和佛教普渡众生的思想,是三教思想融恰升华的展示,为指点世人化解矛盾纷争作出了榜样。因此,悬空寺始建至今,地处历代兵家必争之地的恒山,不但没有

遭到破坏,而且历代都加以维修、完善,(悬空寺的现貌是保存了金大定18年修缮后的基本原貌),足以说明天下渴望和平的无穷力量。

山西大同导游词 篇12

大家好!我是郝晨伊小导游。今天,由我来带领大家参观山西恒山的悬空寺。

现在,我们一起走近悬空寺。你瞧,只有三层高的寺庙,全部由木头搭建而成。在悬崖峭壁之间蜿蜒盘旋,显得十分高大雄伟。悬空寺创建于北魏后期,已经经历了1400多个年头,所以楼梯十分古老,大家一定要小心脚下,待会儿走到顶楼时,还会听到一些“嘎吱嘎吱”的响声。不过,没有关系,大家不用慌,悬空寺虽然看起来十分悬,但它的内部其实是由十多根坚固的石柱支撑着的,只要我们文明参观,安全是没有问题的。

现在,大家马上要走过一段木板路来到坚硬的石板路了。这段石板路上有8间房,是当地相信佛教的人每年进去拜菩萨的地方。如果你们想去拜拜,也可以进去体验一下。跨过门槛,就来到“密道”,这条路黑漆漆的,让人感觉可能有点阴森。但是,它可是一条近路哦。可以让我们快速地下到二楼。

大家跟紧了,拐一个弯后,我们就会看到悬空寺中最著名的那片竹瓦。每当天气晴朗,阳光普照时,竹瓦就显得金光闪闪,无比耀眼。我们今天很幸运,遇到一个大晴天,可以饱览竹瓦以及远处恒山上的美景呢!

好了,给大家30分钟自由活动的时间,可以再逛一圈悬空寺,太阳下山前,我们在山下小溪边集合!

山西大同导游词 篇13

山川之美,古来共谈,大自然总是无私的把它的美奉献给您,但是,当您正在陶醉自己的足迹已踏遍大江南北时,请千万不要认为,您已经真正认识到我们中华九州千千万万个庐山真面目,因为当您顺着东方古老文化的摇篮黄河走来时,一定就会发现,彪炳千古的文物古迹在山西境内是星罗棋布。今天,我们游览的就是举世闻名的高空建筑——悬空寺。

悬空寺位于五岳之一恒山的脚下,地处山西省浑源县城南五公里处的金龙峡内西岩峭壁上。自古以来,这里一直被列为北岳恒山的第一奇观。据《恒山志》中记载,悬空寺创建于北魏后期(公元471——523年),距今已有1500多年的历史,明代旅行家徐霞客曾惊奇的称之为“天下巨观”,由此可见,悬空寺是怎样的值得一观。

悬空寺坐西朝东,面对摩天接云的恒山主峰天峰岭,背靠恒山的另一座主峰翠屏峰。朱红色的寺庙在褐黄色的山石的映衬下,色彩协调,比例匀称,全寺为木质所建,楼体大都悬空,下面就岩支撑的木柱都不及碗口粗,共有大小殿阁40多间,各种雕像80多尊,悬空寺距谷底有26米,它的最高处离地面大约有50米,举目远眺,悬空寺像一块玲珑山木雕镶嵌在翠屏峰的万仞峭壁上。它上载危岩,下临深谷,怵目惊心。当地人称之为悬空寺,半天高,三根马尾空中吊,这流传的民谣固然夸大得过分,然而悬空寺结构之惊险,造型之奇特,却令人叫绝,难怪游人们都说,未上悬空寺,心倒是给悬起来了。

但是,在我国古代,我们的古人又是怎样凭虚而建悬空寺的呢?清代同治年间的一块石碑上写着,“不知者以为神为之也”。相传,在当年修悬空寺时,一位姓张的师傅率领一群巧匠承揽施工,他们把所用材料在山下加工,然后绕几十里山路运到寺顶山头,连人带料吊下半崖,凌空施工,然而悬空寺的整个建筑是依据力学原理,半插飞梁为基,巧借岩石暗托尤其是连接栈道的支撑木把悬空二字体现得淋漓尽致。至今我们还可以看到因为相互连接而留下来的铁环。悬空寺在1400年间仅维修过几次,每一次可维持数百年。现在,让我们从侧面看一看它特殊的地理位置。悬空寺是凹进崖龛中的,三面环山,不受西北来的任何气流袭击,一天内日照时间只有3个小时,可少受日光侵蚀,延缓风化。可见,古人对建筑气象还是颇有研究的。置身其间,我们似乎可以感到,正是由于古人殚精竭虑,才成就这天地间有独无偶,千年悬而不坠的空中阁楼,它的玄妙构思和自然山水的巧妙结合,可以说是达到了出神入化的极致。

据雁北地方史有关专家统计,历史曾经有24个皇帝到过恒山一带,有13个皇帝曾亲自带兵在这里打过仗,仅大的战争就不下十次,那麽为什么悬空寺却千年无毁且容颜依旧呢?让我们一起到悬空寺的最高处——三教殿,去寻找答案。殿内,中尊是佛教创始人释迦牟尼,左边是儒家学说代表孔子,右边是道家教圣老子,三个人都是丰臂润面,端坐莲台。但是如果你仔细观察他们的面部表情,就不难窥探到他们隐秘的内心世界,释迦牟尼对自己居中似乎认为理所应当,看上去泰然自若,悠然自得。是的,佛陀一生历劫成道,证悟出高深的思想智慧,成为三界的导师,四生的慈父,确实是功德巍巍,而我们的孔老夫子却一脸的不满意,“我主张的儒家思想是东方文化的代表,直至今天仍安富尊荣,同天并老,现在,怎麽能让你一个外国人居中呢?”与他们同样屈居次坐的老子却神态安详,笑意盎然,一副与世无争的道家本色,认为世事难测,还是顺其自然吧。看来,他们的矛盾已接了1400年都没有头绪,我们局外人也就免开尊口吧,但佛、道、儒三教始祖同居一室世所罕见,这正是古人的聪明之处,历代统治者所信仰的不外乎这三种,因此不论怎样改朝换代,悬寺都能迎合统治者的需求,因此它所受到的庇护是其他寺庙所不及的,正所谓“自古佛门多虔诚,暮鼓晨钟诵太平”。

各位游客悬空寺的游览我们到这里就结束了,寺庙建在山上,使朝拜者如登天梯,而它坐落在西边,无形中又吻合了西方极乐净土,难怪王维会有“一生几许伤心事,不向空门何处消”的佳句。总之,不论你上看下看左看右看,悬空寺都有一种流动的美,正应了苏东坡的一名句,“横看成岭侧成峰,远近高低各不同”。这其中的奥妙你就慢慢去品吧!

上下五千年,悠悠三晋史,历史的变迁给山西大地遗留了宝贵的文化遗产,至今仍迷醉着旅游者的双眼。俗话说“物惟求新,人惟求旧”。让我们相约再聚龙城,最后,祝大家好花常开,好景常在!

山西大同导游词 篇14

My friends, the scenic spot we are going to visit today is Jiulongbi inDatong. The tour time is about 2 hours. Please don't take photos or touch thewall during the tour. Now, please check the tour bus license plate and XiaoZhang's mobile phone number again. If you have anything, please contact me intime.

Jiulongbi was built in the last years of Hongwu in Ming Dynasty. It is theZhaobi in front of the house of Zhu GUI, the 13th son of Emperor Zhu Yuanzhangof Ming Dynasty. Together with the Jiulongbi in Beijing Palace Museum and BeihaiJiulongbi, it is called "three major Jiulongbi in China". Unfortunately, thepalace was destroyed in the end of Chongzhen. Jiulongbi was preserved because itwas separated from Heyang street. On June 25, 20__, as an ancient building ofMing Dynasty, Datong Jiulongbi was approved by the State Council to be listed inthe fifth batch of national key cultural relics protection units.

Jiulongbi is 45.5 meters long from east to west, 8 meters high and 2.02meters thick. It is the largest and oldest existing dragon wall in China. It canbe called the first dragon wall in China. The top of the wall is covered withglazed tiles, and the top is supported by glazed brackets. The wall is made of426 pieces of specially made multicolored glass. Nine flying dragons aremajestic and soaring on the wall. On both sides is the pattern of sun and gap of the dragon is filled with the patterns of rocks, flowers and the bottom of the wall is xumizuo, 2.09 meters high, with 41 groups of ErlongXizhu patterns carved on it. The waist is made up of 75 pieces of glass bricks,with various animal images such as cattle, horses, sheep, dogs, deer andrabbits. The most beautiful time of the nine dragon wall is when the sun that time, the nine dragon wall is bathed in the dazzling brilliance, and thegiant dragon seems to travel through the flowing clouds, just like the realdragon reappearance, which is fascinating.

Different from Beihai in Beijing and Jiulongbi in the Forbidden City, theDragon claws of Jiulongbi in Datong are four clawed dragons, which distinguishesthe status of the Daiwang and the emperor, but it also shows the status ofDaiwang in the current Dynasty.

After appreciating the majestic momentum of Jiulongbi, you must be verycurious about the origin of Jiulongbi. Ha ha, don't worry about it. Next, let mesay it for you. It's like this: Zhu GUI, the 13th son of Zhu Yuanzhang, theemperor of Ming Dynasty, didn't read poetry since he was a child. He wasstubborn and eccentric. He didn't dare to give stars to the moon, and hecouldn't get a pig's tail or a cow's head. Zhu Yuanzhang made him king of Yuwhen he was enfeoffed as a vassal king, and later he was changed to a king ofDai Dynasty to guard Datong. When Daiwang arrived in Datong, he often killedpeople for no reason in the streets. People in Datong called him "LengzhengDaiwang" behind his back. Xu Shi, the imperial concubine of Dai Wang, was anugly and jealous shrew. She once painted the two beautiful girls of Dai Wangblack on the bottom of the pot to vent their jealousy. In this way, the couplestirred up Datong City and the people were in dire straits.

After Zhu Yuanzhang established the king of Yan to succeed to the throne,the king of Dai made a big fuss in the golden palace, shouting that he wouldbecome emperor too. Zhu Yuanzhang had no choice but to build large-scalebuildings and palaces in the city of Datong, so that the Daiwang could live anemperor's life. Up to now, there are street names such as "Huangcheng Street","Zhengdian Street" and "Donghuamen" in the ancient city of Datong, which are theruins of the old imperial palace.

One day, this Leng Wang Ye suddenly wants to go to Yan Di to see his fourthbrother Zhu Di. The king of Yan was annoyed and afraid of him, but he had nochoice but to entertain him with a small feast for three days and a big feastfor five days. One day, Dai Wang strolled outside the palace full of wine andfood. When he saw that a new glazed nine dragon wall had been built in front ofthe palace, he clamored to build one in front of the palace of Datong, andbrought the design back to Datong. When the princess found out, she asked forhelp

It must be two feet longer, two feet higher and two inches thicker than theDragon Wall in the palace of King Yan. The king of Dai had no choice but toagree. Therefore, the Dragon Wall in Datong is the largest in scale, and the onein the Forbidden City can't match it.

Half a year later, nine dragon wall was built. Zhu GUI, the king of DaiDynasty, Xu Da, the old general, and his daughter, Xu Shi, went up to the citytower to watch. In the sun, the glazed tiles on the top of the wall weredazzling, and the nine colored glass dragons on the wall were lifelike. Daiwangcheered with joy. After a while, the clouds were thick and it began to the palace lanterns were all on, through the rain curtain, the colorfulwall was bathed in Jiulong water. It was complicated and confusing, and had aspecial taste. So there was the saying of playing Dragon in the rain.

The king called out again, and suddenly there were three thunders in theair. Zhu GUI was startled. In a trance, he saw two dragons flying from the sky,black and yellow, spitting water like a spring in front of the wall. It turnedout that the dragon on the Dragon Wall confused the real with the fake, whichattracted the giant dragon in the sky to send rain. After the rain, the rainbowis in the sky, the sunset is red, and the Jiulongbi which has been bathed ismore dazzling. Dai Wang orders people to go to find out if there are any scarson the dragon wall. The people who came back reported that jinpocang behindlongbi was blasted out of two wells, one sweet and one bitter, within threesteps. Now jinpocang has two wells, which is also a scene of Jiulongbi. Therewas also a pit in front of the dragon wall, which was filled with green Wang asked people to build a pool in front of the wall. Water from two wellsis introduced into the pool, sweet water is used for food, and bitter water isused for treatment. The nine dragons are reflected in the water. The wind blowsand the water moves. It's like a dragon playing in the water. It becomes anotherscene of the nine dragon wall.

Well, that's all for the explanation. Next, let's enjoy it by er here in 2 hours. Have a nice trip!

山西大同导游词 篇15

朋友们,今天我们要游览的景点是大同的九龙壁。游览时间2小时左右,游览过程中请不要拍照,更不要触摸壁身。现在呢,请大家再次核对一下旅游车牌照和小张的手机号,有什么事情请及时与我联系。  九龙壁建于明代洪武末年,是明太祖朱元璋第十三个儿子代王朱桂府前的照壁,与故宫九龙壁、北海九龙壁合称为“中国三大九龙壁”。可惜王府于崇祯末年毁于兵火。九龙壁因隔和阳街而立才得以保存。20__年6月25日,大同九龙壁作为明代古建筑,被国务院批准列入第五批全国重点文物单位名单。  九龙壁座南朝北,东西长45.5米,壁高8米,厚2.02米,是中国现存规模最大,历史最悠久的一座龙壁,堪称中国九龙壁之首。壁顶覆盖琉璃瓦,顶下由琉璃斗拱支撑。壁面由426块特制五彩琉璃拼砌而成,9条飞龙气势磅礴,飞腾之势跃然壁上。两侧是日月图案。龙的间隙由山石、花草图案填充,相映成趣。壁底是须弥座,高2.09米,上雕41组二龙戏珠图案。腰部由75块琉璃砖组成浮雕,有牛、马、羊、狗、鹿、兔等多种动物形象,生动活泼。九龙壁最美的时候是朝阳升起之时,那时的九龙壁沐浴在耀眼的里,巨龙仿佛在流云中穿行,犹如真龙再现,引人入胜。  不同于北海与故宫九龙壁,大同九龙壁的龙爪是四爪龙,这就区别了代王与的地位差别,不过这也足见代王在当朝的地位。  领略了九龙壁的磅礴气势,大家一定很好奇九龙壁的来历吧,呵呵,不急不急,接下来就由我来为大家说道说道~是这样的:明太祖朱元璋第十三个儿子朱桂从小不读诗文,秉性顽劣,脾气古怪,要星星不敢给月亮,吃猪尾巴拿牛头也换不来。朱元璋在分封藩王时就封他为豫王,后改封代王,镇守大同。代王到了大同,街里,经常无故,大同百姓背地叫他“愣怔代王”。而代王的正妃徐氏呢,是个又丑又妒的泼妇,一次竟把代王的两个漂亮待女满脸涂上锅底黑,以泄妒火。就这样,两口子把大同城搅得鸡犬不宁,。  朱元璋立燕王继承后,代王就大闹金殿嚷着也要当。朱元璋没法子,只好在大同城内大兴土木,修建,让代王过过瘾。至今大同古城内还有“皇城街”、“正殿街”、“东华门”等街道名称,都是旧的遗址。  一天,这位愣王爷忽然想去燕地看四哥朱棣。燕王对他又烦又怕,但又无可奈何,只好捺着性子三天一小宴五天一大宴地款待着。一天代王酒足饭饱在王府外闲逛,看见王府门前新修了一座琉璃九龙壁,就吵嚷着要在大同的前也造一座,并撒泼把图样带回了大同。王妃知道后,要求  一定要比燕王府的龙壁长二尺、高二尺、厚二寸,代王无奈,只好应允,所以大同的九龙壁规模最大,故宫里的那座也比不了它。  半年以后,九龙壁建成。代王朱桂、老将军徐达及其女儿王妃徐氏登上城楼凭栏观赏,阳光下壁顶的琉璃瓦光彩耀眼,壁面上的九条琉璃彩龙栩栩如生。代王高兴得大声叫好。一会儿,浓云密布,下起雨来。代王便命人掌灯,宫灯齐亮时,透过雨帘,彩壁上九龙浴水,扑朔迷离,别有一番情趣,于是有了雨中戏龙一说。  代王又叫了一声好,忽然空中接连三声惊雷。朱桂一惊,看见从天上飞来一黑一黄两条龙,在壁前吐水如泉。原来,龙壁上的龙以假乱真,引来天上的巨龙送来了甘霖。雨后彩虹当空,晚霞通红,沐浴过的九龙壁更加璀璨夺目,代王忙命人前去打探龙壁有无伤痕。回来的人禀报,龙壁后面的金泊仓三步之内被雷炸出了一甜一苦两眼井,就是现在的金泊仓两步两眼井,也是九龙壁一景。龙壁前还被雷轰了一个坑,里面积满了碧水,代王就让人在壁前砌了一个水池。水池引入两井的水,甜水食用,苦水治病。九条龙倒映在水中,风吹水动,像游龙戏水,成为九龙壁的又一景。  好啦,就到这里了,下面呢就由大家自己欣赏啦!2小时后在这里集合,祝您旅途愉快!